1970s |  | The idea for the Music Animation Machine started with a hallucination ... |
1970s |  | ... and my frustration with reading a more complicated score ... |
1970s |  | ... I tried a condensed score ... |
1970s |  | ...which led to a bar-graph scroll. |
1981 |  | A guy from Hollywood suggested animating it... |
1982 |  | ...and Michael Gottlieb recommended doing the animation with a computer. |
1985 |
| The MAM first saw the light of day! |
1985 |
| MIDI opened up many possibilities ... |
1986 |  | ... I bought my first IBM PC clone and started designing version 2.0 for it ... |
1988 |  | ... which I finished in the winter of 1988. |
1989 |  | Videotapes were sent to friends and others I thought might enjoy them ... |
1990 |  | ... which led to the 1990 "First Demonstration Reel" ... |
1991 |  | ... and my fifteen minutes of fame. |
1988 |  | I experimented with computer-assisted performance. |
1990 |  | Many things were not visible in the original MAM score ... tonality ... |
1991 |  | ... rhythm ... |
1991? |  | ... the special importance of the "now" moment ... |
1991 |  | ... consonance/dissonance between pairs of notes ... |
1991 |  | ... the compromises of equal temperament ... |
1992 |  | ... and non-equal temperaments ... |
1992 |  | ... interval relationships in chords ... |
1993 |  | ... interval relationships in chords in a temporal context ... |
1993 |  | ... timbre ... |
1994 |  | ... and the interaction of different instruments. |
1995 |  | Oskar Fischinger was an inspiration. |
1997 |  | I got interested in scales made up of many equal intervals ... |
1997 |  | ... the structure of canons ... |
1998 |  | ... accents in scale passages ... |
1998 |  | ... and the history of recently-heard notes. |
1998 | | Will Pitkin had an idea for helping deaf infants. |
1998 |  | I tried showing the movement of the tonal center ... |
1998 |  | ... interactions of overtones ... |
1999 |  | ... and triadic relationships. |
2000 |  | Classic Arts Showcase began broadcasting the MAM regularly. |
2001 | | I got more interested in what happens in the ear ... |
2001 | | ... which led to a job related to hearing and visualization. |
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